Introducing The Singing Chapmans: Just Over In The Glory Land

 

    Some time ago I digitized all the audio from the record album "Introducing The Singing Chapmans."  The album has 12 songs.  It's one of two albums I know of that has my Uncle Freil playing the piano.  (He also did a couple of CDs solo, but those are easier to find.)  I chose to feature "Just Over In The Glory Land" because it's one of my childhood favorites.  Even better, there's a fair amount of interesting history involved with the song.

    According to TraditionalMusic.com, the words were written by James W. Acuff (1864 – 1937), and the music by Emmett S. Dean (1876 – 1951)

    Per Pixabay, James Acuff wrote it in 1906, so the song is considered Public Domain.

 As always, their midi is clear and pure. Nothing fancy or complicated which makes learning the melody much easier if you’re a ‘play by ear’ pianist.

    I can remember Freil Playing and Aunt Elsie Mae singing this song in church.  And through the years, heard Freil play it just about anywhere there was a piano available.  Eventually it became one of my favorites to play myself, not as nuanced as Freil's playing but brash and bold, and full of joy.  (The result of not knowing as many non-major chords as Freil.)  

    Going back to digitizing the record... it was a loan from my sister, so I had to get the songs to computer quickly and return the album.  It was convenient to do that work immediately, with the intention of going back later and getting them onto Youtube.  So of course they languished forgotten on the computer for a couple of months.  Now they're online.  You can play the video above, and click on "play on YouTube" to see the rest of them.  I may feature a few more from the album, but it will be over time, no rush.

    So far, the songs done by "The Singing Chapmans" have not been easy to research.  It's been difficult to find much about each individual song, and discouraged me from doing each and every one.  In this case, "Glory Land" is well-known, with a bit of history, a bit of lore and some confusion about the song's provenance scattered thoughout the internet.  Here are a few of the links and claims:

    Timeless Truths has a nice looking page, and is one of my favorite resources for information about gospel music. But in this case, they’re a bit sparse on information.  They agree it was writtten by James W. Acuff, and specify that it was PUBLISHED in 1906.  They also state that the copyright is Public Domain. They have the words, sheet music, and a midi file to listen to.

    But the end-all and be-all is an extremely-well researched article by Henrik Smith-Sivertsen. I found out much more than anticipated, and far beyond the scope of southern gospel I usually stick to. Smith-Sivertsen writes that “Just Over In The Glory-Land” was first published in the hymn book “Glad Hosannas: A Winnowed Collection of New and Old Songs for Christian Work and Worship”, in 1906. He gives credit for the lyrics to Acuff, the music to Emmett S. Dean, but goes on to name Dean as the editor of the hymn book, and part owner of the publishing company. The fascinating part, and this explains why some websites seem confused about the copyright, is that another publisher, R. E. Winsett, obtained “renewed copyrights” to the song.

    The article in full is worth digging into, and with an extensive bibliography, seems likely the most authoritative and trustworthy document of the song's history.  

    I personally agree with the articles and websites that list "Glory Land" as a public domain.  Especially after this year, because January 1st, 2023 marks the date for everything published up to the year 1927 (U.S. only; other countries have different laws.) There's a wonderfully detailed article by Jennifer Jenkins regarding copyright.  It's a fantastic read and very worth the time if you're interested in the Public Domain.

    As a matter of fact, she mentions that on January 1, 2024, the first ever appearance of Mickey and Minnie Mouse will enter the public domain!  Imagine that... I bet Disney is having fits about it.  Even Sherlock Holmes no longer has copyright protection.  Until 2023, Sir Arthur Conan Doyle's last two Sherlock Holmes stories have been under copyright protection.  As of this year, everything Doyle wrote about Holmes is in the Public Domain. If even the Doyle Estate, and even more so, The Mouse, can't keep their characters out of the public domain, there's no reason a song published in 1906 would still be copyrighted.

It's safe to say, out of all the posts I published in the original Grace Notes, this was by far the easiest yet most overwhelming song to research.  Some day I'll post another blog about "Just Over In The Glory Land", but next time... it'll be with my rendition on piano.  I do believe I mentioned it being one of my favorite songs to play.  :^)

The Singing Chapmans: Something I Can Feel, & One Day I Will

    "Something I Can Feel" is the fourth song on side one of The Singing Chapmans "Redeemed By The Crucified One" album.  The song was written by Elmer Cole. For lyrics, click HERE.

    I've tried learning about Elmer Cole's life, and what else he wrote, but nearly every mention I can find is in reference to an article about someone else.  If you can point me to any website or article that has authoritative information, please leave the link in a comment.  It's hard to believe how little there is, when he's written songs like "I Found The Answer", I'm Looking for Jesus, and the fantastic "Ten Thousand Years." (This info, and a little bit more, were on the blog Southern Gospel Tidbits.)

    I found multiple mentions of him being with Willie Wynn and the Tennesseans, but again, his name was included, but no further information.  I'm not so familiar the most of the songs I can find for him, but have heard "Ten Thousand Years" all my life.  It was one of the songs Aunt Elsie Mae sang (and Uncle Freil played) as a special in church.

    "One Day I Will" is the fifth song on "Redeemed By The Crucified One."  It was composed by Walt Mills and John Stallings, or perhaps written by John Stallings, and performed by Walt Mills.  What little I could find seemed unclear, none of it from an authoritative source.  The lyrics can be found on Bluegrass Lyrics.com.

    Again, there's not much available other than their names being included/listed on a large number of websites.  Certainly no life stories, inspirations, or quotes.  There are some Youtube videos if you search, but again, nothing I'd consider a reliable source.  This is starting to look like a trend.  I'm not sure if it's more modern gospel, less-known gospel, or if the nature of online information has changed.  

    Over ten years ago, it seemed there was never a shortage of information about gospel composers and musicians.  This blog, "Grace Notes", is a recreation of a blog I kept from around 2012-2022.  Actual life got in the way, the site languished, and eventually I let it go.  This is a recreation of the spirit of that blog.  Years ago, there were Wikis, active forums, personal accounts, historical sites, all kinds of sources to help paint a picture of the songwriters that influenced my childhood.  Now, it's a desert.  Maybe I'm just not using the best search terms.  

    Whatever the case is, I'll leave you with these two songs for now.  For future posts, if I can't find enough information about the writers, or the song, I'll just give whatever brief details there are, and include multiple songs per blog.  No sense filling up all my pages with "I don't know, and can't find out."

It's been a busy week at work, to the point several friends from other offices are chipping in and helping to get the work done.  Tomorrow's Friday.  I'm off to see my parents on Saturday.  Something to look forward to.  I can't wait!

Update - More Music by Freil Thrift

     It's been a few days.  Real life has been pretty time-consuming.  I wanted to pop in with a bit of news.  A few posts ago, I mentioned a Hi-8 video, and an audio cassette tape, that might be out in the shed, and that might have Freil playing music on them.  That's an exciting possibility.  Today I went to see my folks, and Mom found TWO audio tapes that have Freil recorded on them.  Plus ONE cd that definitely has him playing, one that MIGHT have him, and another one that probably doesn't, but going to check out just in case.  These are all home recordings/burnt CDs.  Nothing professionally generated.  But still, there's a potential treasure trove of music I've never heard him play, or music I haven't heard in many years.

    So, tomorrow I'll root around the house for a tape player with headphone out (or RCA jack, either is fine).  Don't know offhand where one is, but we have a LOT of old stuff.  There ought to be at least one player around here that will work.  I don't know what kind of quality to expect from the CDs, but the tapes were probably recorded on the ubiquitous radio-shack type of player/recorder that we used in the 70's.  It won't be high-quality, so my goal is to rescue the song as best as possible.  As long as it's recognizable as his piano playing, that'll have to be good enough.  Really excited to hear them!! 

    On a side note, I've been getting a lot of use out of Audacity recently.  Maybe it'll have some feature that will clean up low-quality recordings on old tapes?  Soon enough to tell when I find the hardware to play them on.  

  I jumped the gun just a bit.  Searched the house, found several tape players.  One was busted.  One only played high squeaky sounds.  One played, but only though a built-in amp, and only output to RCA jacks.  From all I've read, plugging that into my mic input jack would have likely burned out my computer's audio board.  At the moment, uploading the audio tape is at a standstill.  Got feelers out with some friends, and family.  If that doesn't work out, the next step is to buy a new one.  Bottom line, it's going to take longer than expected.  Still excited, just have to let all the options play out before spending any money.  

In the meantime, practicing a new song to record for YouTube.  Still have most of the Singing Chapmans "Redeemed" album to write about.  And still have all the songs from their "Introducing" album.  Plus rebuilding something like a decade of blogs from my original Grace Notes, including midi files and sheet music.  We're talking years worth of projects.  At least I won't be bored.

Introducing The Chapman Family ... Singing The Gospel

     I made mention that Freil Thrift was in two record albums with the Chapman family.  The one Monique found on ebay, "Redeemed By The Crucified One"... I've been posting about for several days now.  It came with 12 songs, 6 to a side.  All of those have been digitized by now, and uploaded to Youtube.  

    The seller listed it as being in "Very Good Plus".  At first, I questioned that.  There was a long shallow smudge that seemed likely to cause playback problems.  It took a day or so to gather the necessary equipment (record player, cables and converters) and re-familiarize myself with Audacity.  Recording went perfectly.  That smudge had no effect on playback.  The songs digitized perfectly - audio levels great, no clicks worth worrying about.   It went smoothly and took about an hour.  I was thrilled with it.

    The other album wasn't anywhere online to be found.  I had resigned myself to a long patient wait, when my sister told me she had one.  She called it "the green cover", and told me the one I have is the second one, while the green one is the first record Freil was ever in.  She also allowed that I might be able to borrow it.  So long as I returned it, because "it's as important as my Elvis gospel album!"
    (If you know Karen, you'll know that is the highest level of praise.)

    We were originally planning on her bringing it to Mom and Dad's for me.  I was already planning to visit this weekend.  At some point she realized she couldn't make it to the river (home is very close to the Satilla), so offered to meet up in Nahunta on my way home.  I spent yesterday "at the river."  On the way home, Karen and I met at the Gold House.  It's Nahunta's historic diner, a wonderful place to go.  Both for the memories, and the food.  They make wonderful southern food.  I love their fried chicken.  They also make about the best liver around.  And a great, thick burger and home-style fries.

    This time around, we just had coffee, and sat and talked for a bit.  Got home too tired to start digitizing the record right away.  Got up early this morning, pulled the record out.  Remember a few paragraphs ago, when I mentioned the "Very Good Plus" rating on the other album?  How I questioned it, because of the almost-scratch?  I take it back.  It deserves that rating.  When I looked at Karen's record, the rating would have been "Very Loved Plus."  This is what happens to an album when it's a family favorite, and gets played over and over... for about 50 years.

    As expected, playback wasn't perfect.  It was surprisingly good, though.  Only one spot completely skipped a word.  And that was near the end of a song, so not as high-impact as it could have been.  However.  I like that word.  It's dramatic, with a strong foreshadowing of bad news.  
    However, the album was full of clicks, and the volume was a lot lower than the other record.  To be fair, that's probably due to the way the album was created.  Audacity has a very versatile click remover.  And for the most part, it did a great job.  One or two spots I used custom settings, but most of the time default settings were fine.  Audacity also has a pretty cool amplify effect.  It calculates the highest safe level to raise volume to 0 db.  

    Click removal and the amplify effect fixed everything that could be fixed.  Did a bit of manual cutting and silence generation at the start and end of the songs.  Overall it went very well, but wound up taking three hours to get the best versions of all the songs.

    Best of all, it ended (literally) on a great note - the final song on side 2 was an instrumental, and Freil got a couple of excellent segments featuring his piano playing.  I'm thrilled at how well everything turned out.  It's going to take some time to get them turned into video clips so they can be uploaded to YouTube.  But it'll be absolutely worth it.  All those songs will be permanently available at any time, without having to add more wear to our treasured records.  And so many people who don't know the Singing Chapmans, and Freil's playing, will be able to hear and appreciate them.

The Singing Chapmans Redeemed: When I Wake Up

 

    When I Wake Up To Sleep No More is the 3rd song on Side One of The Singing Chapmans "Redeemed By The Crucified One" album.  I'm not sure how they handled copyrights back in the 60's and early 70's.  The album doesn't mention copyrights, or have author credits.  Years later, my uncle Freil mentioned that he had to pay an amazing amount to record certain songs, so I'm working on the premise that they had to obtain permissions, but not necessarily print it as such on the cover.

    For what it's worth, the song is written by Marion W. Easterling, and copyrighted in 1944.  Easterling was a pretty prolific writer, composing over 300 southern gospel songs.  One of his mentors, Dad Speer, is sometimes credited with writing at least one of the songs on this album (He's Mine and I'm His).  Easterling also has the distinction of a Guiness Book of World Records listing, for his 39 years of programming the gospel radio show, "America's Favorites."  You can find a bit more about him, and his music, at Hymnary.org.  

    I had hoped to post this yesterday, in keeping with trying to post once a day until all the songs from the Chapmans record albums have been acknowledged.  The plan was to write it after spending the day with my parents (and great-nieces).  It's a one-hour drive each way, and driving is not something I'm comfortable with.  By the time I got back, my mind and body were both worn out... wound up giving up early, reading a bit, then calling it a night.  

    Monique and I usually sit outside for a while, by the front door.  We gather up the dogs, sit in our rocking chairs, and talk about our day.  It's a good time to share our thoughts, and the dogs love it.  We Piper and Luna have 15-foot leashes, so they can freely wander the yard, or just sit in our laps.  They smell the night air, watch as the occasional car or person goes by.  If they're lucky, sometimes one of the neighborhood cats saunter by.  A good time is had by all.  :^)

    We both had pretty big days.  Monique made a batch of Macarons for an event a friend is attending.  She rarely makes them, but this is her second time recently.  I believe she plans on making them at least one more time, with a friend.  And I told her all about my day with family, what everybody did and said.  Sometimes we'll sit quietly for a while.  We didn't stay outside long.  It was a lot colder than we expected.  

The Singing Chapmans: He's Mine and I'm His

 

More from The Singing Chapmans, featuring the 2nd song from their "Redeemed By The Crucified One" album.  For the filename, and the Youtube title, I didn't use contractions.  I'm old enough to remember the days you could only use alpha and numeric characters.  At least here, it's done properly... He's Mine and I'm His.  

I looked it up, but couldn't find much.  It seems to be credited to G. T. Speer, but his song title reverses this one (I am His and He Is Mine), and the lyrics he's usually credited with don't match this one.  It feels like there are two songs with a similar title, but nobody else is linked to this one that I can find.  

It's not really pertinent here, since post is celebrating The Singing Chapmans, and especially my uncle, Freil Thrift.  It would be nice, though, to give credit where it's due.  I'd like to know the song's history, and who actually wrote this version's melody and lyrics.

Changing the subject a bit, or at least veering off on a different tangent, tomorrow is Saturday and I'm on my way to see my folks.  Looking forward to seeing Mom and Dad, and my great-nieces.  There's also a bit of serendipity to the trip.  My sister will be there too, and she plans to bring her original album of the first record Freil recorded with the Chapmans.  She's willing to loan it to me... as long as I return it posthaste.

That's perfectly fine, as I only need it long enough to digitize the songs.  I'm excited to hear that album again, and to get those songs on Youtube as well.  There's only two albums I know of that had Freil playing.  I miss him.  It's going to be great to hear again.  As with the other album, it's been 50 (or more) years since the last time I heard it.  

That's going to keep me busy. Between posting all the songs from the "Redeemed by the Crucified One" album, then borrowing Karen's album and sharing them, it should keep me busy for a while.  And... if I get really ambitious, there's a chance I have a Hi-8 video of him and I playing a duet... and if it still plays, might even have an old tape recording in a box in the shed.  Now I just have to find the energy to go through all those boxes!!

Not to mention, I'll need something to play them on.  We certainly have tape players around the house.  With luck, one with a headphone jack so I can transfer the audiotape onto computer.  The tough one is going to be a Hi-8 player.  Not so sure about that.  It's been years since mine broke.  My options are either a mail service that will transfer it for me, or finding a cheap player on eBay...  Guess I'll close up here and start researching.  

The Singing Chapmans: Redeemed By The Crucified One

 It took some work, but all 12 song tracks from the Chapmans "Redeemed" album are uploaded to Youtube now.  I'm going to post them here, also.  Not all at once, but over time.  Starting with the title song, Redeemed By The Crucified One:

    

    I was too young to know much about the Chapmans.  Freil was a rock star to me with his amazing piano playing.  I knew Aunt Elsie May, obviously, and the twins, Odell and Othell.  The others were just adults.  They weren't in my circle, and I never got the chance to get to know them.  According to ChatGPT, The Singing Chapmans were based out of Tennessee.  Since Monique found this particular record album on eBay, and it was being sold from Tennessee, that seems like a connecting link.

    The group included father, Walter Chapman, and his sons, daughters, and a son-in-law.  I can't verify, but it seems likely Freil was the mentioned son-in-law.  If not with that generation, then probably with the succeeding generation after that.  They're credited with other records, radio and tv work, including an appearance on the "Old Time Gospel Hour" with Jerry Falwell.  Falwell was still near the height of his fame in my early 20's, which would put them all together in the right time frame.

    That doesn't sound like a lot of information, but it's more than I'd found previously.  The small amount of corroboration I could find was mainly from a record album of theirs, "Six Hours On The Cross."  I don't know much about it, but the song list includes some songs Aunt Elsie May was known for singing as church specials.  I especially remember her singing "Love Will Roll The Clouds Away."

    In other exciting news, my sister told me today she still has the other Chapman album that Freil was in (not sure of the title, but she called it "the green album."  It was the first one, and if I remember right (it WAS 50 years ago), it had more of my favorite songs.  Not certain, it's just a vague memory of playing the first one, over and over and over.

    Anyway, I'll be visiting family this weekend, and she plans to bring it for me.  To borrow... not to keep.  But that's perfect, I'll digitize it just like with this one, and be able to listen to all the music from both albums.  Plus share it on Youtube so many other old-time fans can hear their music again.

Childhood Memories - The Singing Chapmans

     A few days ago, I was reminiscing with Monique about my uncle Freil's piano playing, and talked about the two record albums he made as part of a southern gospel music family group called "The Singing Chapmans".  Monique, of course, searched on eBay, found one of the albums, and ordered it for me.  It arrived yesterday, and I've been on pins and needles since then, wanting to hear it, and more, to share their songs so everybody else can enjoy the music too.

    Opened the package, took pictures, but got stuck trying to figure out how I was going to play it; and even more importantly, get the music digitized.  We had a couple of record players around the house, and one was a self-contained unit that would have been perfect if I just wanted to listen.  But Monique and I both remembered having a record player years ago that was perfect, with RCA audio outputs hardwired into the case.  Couldn't find it.  Gave up for the night.

Next day, I'm home from work, to see the old record player at my computer.  Monique had found it.  Actually, she found it exactly where we tried to look last night, but she went back and dug deeper.  I've seen old players quit working because they were band driven, and after years, the band can get old, brittle, not play right or outright break.  It was a worry in the back of my mind, but as it turned out the player was just fine.

    There was a bit of technical trouble getting all the working parts to work together.  First, my current computer doesn't have RCA input jacks.  All it's got is microphone in.  There are a number of ways around that, but I chose a bit of a hack.  Out in the shed, in my old audio/video cables box (from the days I did video production), was a "mic in/stereo in" connector.  The same box also had a 1/8" male to male stereo audio cable.  Lucky day!  Like a Rube Goldberg drawing... phono player to RCA out to converter to 1/8" to mic input on the computer.  :^)

    Still not ready.  The record played, I could hear it through the computer speakers (headphones, actually).  But the volume was so low, it was almost more imagination and wishful thinking than reality.  Google to the rescue - it suggested I see what the volume is in the SOUNDS controller.  When I checked, the volume was already maxed, but...  there was a "Microphone Boost" slider that offered up to 30db more volume.  

    Since the audio was so quiet, I slid that thing straight up to +30db and started the record back up.  It nearly broke my eardrums.
I yelled and jumped about half a foot straight into the air, scaring Monique at the same time.  After REDUCING the volume a bit... it was perfect!  And with that, suddenly Audacity was up and running, the audio check worked, audio levels set perfectly.  Roughly an hour later, the entire album is saved to my computer, one song at a time!!

Plus, I got to listen to music I haven't heard in 40 or 50 years.  Smiling the entire time.  It was like regaining a treasure I'd thought long lost.  Good memories of good times, music I never thought to hear again.

Next, I'll put the songs together with an image of the record album, and upload the videos to Youtube.  It may take a few days, but when I post again, there'll be something special for you to listen to.