Introducing The Singing Chapmans: Just Over In The Glory Land

 

    Some time ago I digitized all the audio from the record album "Introducing The Singing Chapmans."  The album has 12 songs.  It's one of two albums I know of that has my Uncle Freil playing the piano.  (He also did a couple of CDs solo, but those are easier to find.)  I chose to feature "Just Over In The Glory Land" because it's one of my childhood favorites.  Even better, there's a fair amount of interesting history involved with the song.

    According to TraditionalMusic.com, the words were written by James W. Acuff (1864 – 1937), and the music by Emmett S. Dean (1876 – 1951)

    Per Pixabay, James Acuff wrote it in 1906, so the song is considered Public Domain.

 As always, their midi is clear and pure. Nothing fancy or complicated which makes learning the melody much easier if you’re a ‘play by ear’ pianist.

    I can remember Freil Playing and Aunt Elsie Mae singing this song in church.  And through the years, heard Freil play it just about anywhere there was a piano available.  Eventually it became one of my favorites to play myself, not as nuanced as Freil's playing but brash and bold, and full of joy.  (The result of not knowing as many non-major chords as Freil.)  

    Going back to digitizing the record... it was a loan from my sister, so I had to get the songs to computer quickly and return the album.  It was convenient to do that work immediately, with the intention of going back later and getting them onto Youtube.  So of course they languished forgotten on the computer for a couple of months.  Now they're online.  You can play the video above, and click on "play on YouTube" to see the rest of them.  I may feature a few more from the album, but it will be over time, no rush.

    So far, the songs done by "The Singing Chapmans" have not been easy to research.  It's been difficult to find much about each individual song, and discouraged me from doing each and every one.  In this case, "Glory Land" is well-known, with a bit of history, a bit of lore and some confusion about the song's provenance scattered thoughout the internet.  Here are a few of the links and claims:

    Timeless Truths has a nice looking page, and is one of my favorite resources for information about gospel music. But in this case, they’re a bit sparse on information.  They agree it was writtten by James W. Acuff, and specify that it was PUBLISHED in 1906.  They also state that the copyright is Public Domain. They have the words, sheet music, and a midi file to listen to.

    But the end-all and be-all is an extremely-well researched article by Henrik Smith-Sivertsen. I found out much more than anticipated, and far beyond the scope of southern gospel I usually stick to. Smith-Sivertsen writes that “Just Over In The Glory-Land” was first published in the hymn book “Glad Hosannas: A Winnowed Collection of New and Old Songs for Christian Work and Worship”, in 1906. He gives credit for the lyrics to Acuff, the music to Emmett S. Dean, but goes on to name Dean as the editor of the hymn book, and part owner of the publishing company. The fascinating part, and this explains why some websites seem confused about the copyright, is that another publisher, R. E. Winsett, obtained “renewed copyrights” to the song.

    The article in full is worth digging into, and with an extensive bibliography, seems likely the most authoritative and trustworthy document of the song's history.  

    I personally agree with the articles and websites that list "Glory Land" as a public domain.  Especially after this year, because January 1st, 2023 marks the date for everything published up to the year 1927 (U.S. only; other countries have different laws.) There's a wonderfully detailed article by Jennifer Jenkins regarding copyright.  It's a fantastic read and very worth the time if you're interested in the Public Domain.

    As a matter of fact, she mentions that on January 1, 2024, the first ever appearance of Mickey and Minnie Mouse will enter the public domain!  Imagine that... I bet Disney is having fits about it.  Even Sherlock Holmes no longer has copyright protection.  Until 2023, Sir Arthur Conan Doyle's last two Sherlock Holmes stories have been under copyright protection.  As of this year, everything Doyle wrote about Holmes is in the Public Domain. If even the Doyle Estate, and even more so, The Mouse, can't keep their characters out of the public domain, there's no reason a song published in 1906 would still be copyrighted.

It's safe to say, out of all the posts I published in the original Grace Notes, this was by far the easiest yet most overwhelming song to research.  Some day I'll post another blog about "Just Over In The Glory Land", but next time... it'll be with my rendition on piano.  I do believe I mentioned it being one of my favorite songs to play.  :^)

The Technical Side of Grace Notes: Creating the Video and Sharing the Midi Files

     Yesterday marked a huge milestone here.  I finally posted my first brand new page of my own arrangement on piano, with a downloadable midi file of the piano arrangement.  It's been months in the process, learning and relearning all the associated elements. Writing this post is both a celebration... and my crib notes on the general process, in case I forget how to do it all again.  :^)

    I use M-Audio's Hammer 88 to play the songs.  I'm a strictly 'play-it-by-ear' type, so there's no music notation, no hours scribbling my music on notes.  Just sounding out different ways of playing, trying alternatives, and bit by bit designing an arrangement that appeals.  Once the idea is in my head, the hard part is memorizing that arrangement, and practicing until I can play the song (nearly) perfectly.  

    I'm in my 60's, and Covid really messed up my focus and comprehension.  It literally took 3 months to be ready to record.  Then stage fright kicks in.  Hours of playing/recording on Sunday.  More hours on Monday.  Tuesday I sat down, did a practice run-through, and the second attempt was as close to perfect as I'll probably ever get.  So that's the video you see.  (The song in this case is "Stepping On The Clouds.")

   Ableton Live Lite 10 came free with the Hammer 88.  So that's how I play and record the music.  Nothing fancy.  Once Ableton was installed and working, and a few technical set-up issues resolved, it was ready.  To record, I click the round "Record" button, start playing.  When I make a mistake, click "Stop", then "Play", then "Stop".  From trial and error, this activates a blue bar on the midi recording track, which I can then click to make Ableton's notation window pop open.  Click anywhere on the notation (inside the window that just popped up).  Select All (hold down CTRL and type "A".)

    Then I hit the DEL key, and for good measure, also hit the Backspace key.  Now it's a clean slate again.  Click the "Record" button again, and start playing.  Once the whole song is recorded satisfactorily, stop the recording, open the notation window and select All again.  
        {Without selecting ALL, the EXPORT features stay grayed out and don't activate.}

Then, under the FILE dropdown menu, first save the entire process as an Ableton Set (.als file).  Next, still on the File Menu, select EXPORT Midi, and save the midi version of the song.  Lastly, STILL on the File Menu, select EXPORT Audio.  I like to save the file in a ".wav" file format.  Mp3 is more popular, but Wav plays back at a constant speed.  It's not compressed so you can reliably count on the bitrate being stable.  I set it at 44000, 32-bit, and select "Normalize."  It's best if you first set your audio levels to not go over 0 decibels.  If the audio levels go into the red zone, it's set too loud.

    If it's time to record the video as well, I like to start recording, and keep playing even when I make mistakes and have to start over. (Tripod tip: Make sure you're pointing at the piano and frame the image as nicely as you can.  Don't forget to remove unsightly elements like the trash can under the keyboard...)
So, don't stop recording the video.  Keep recording nonstop, through every attempt.  There's a clear visual cue because every restart, the Ableton track needs to be stopped and reset before starting to play again.  When a good recording is achieved, upload the video to your computer.  To find the beginning in-point when editing, start at the end of the video, and scrub backwards until you come to the starting point of your perfect rendition.  Delete all the 'bad' footage in front of that, trim the end a bit if needed, to get your perfect video ready for audio.

    I use HitFilm Express to edit.  It's a free video editor, does a good job, and was easy to learn the bare minimum to create these videos.  Having already imported the video and trimmed it to just the 'good' part, now IMPORT the .wav file.  Drag it to the track just underneath the video.  You should see the video track, including the audio that recorded on the video track, PLUS the .wav audio file you just dragged under the video.

    Make sure both audio tracks are active.  Play the video, and see how close the two audio tracks are to playing in sync.  Make note of how close, which one starts first, then DRAG the .wav left or right to align with the video's audio track.  It's like lip syncing.  You may have to expand the visible track range, to give finer control over how much you move left or right.

    Do this until the Video audio track and the .wav audio are perfectly matching.  Then UNCHECK the video audio.  It's a little speaker symbol on the left.  Play the video again.  Now only the .wav audio track should be playing, and it should be perfectly synced with the fingers moving as they play the piano.
NOTE: if the .wav needs to move farther left than the video track will allow, select all and drag everything to the right to give yourself a bit of working room.

    Once the video and .wav are synced and the original video audio turned off, trim the ends again if needed. If both tracks aren't fully left-justified to the 0:00 starting point, select All and drag them to the 0:00 time marker.  Export the video as an mp4 file on your hard drive, and upload the video to YouTube.  On Blogger, it's easy to click the video button and select your YouTube video for insertion on the blog post.

I treat the audio this way to clean the original video-recorded audio.  Audio recorded directly in your video (I use my cell phone) is fuzzy, and picks up all the ambient noise.  Dogs barking, phones ringing, people talking... the .wav created from Ableton is crisp, clear, and clean of ambient noise.  It's like you recorded in a studio, with proper microphones.

This is a good stopping point.  I'll finish up in the next post.  We'll take a look at getting Midi onto Blogger in a way that's easily downloadable.

Southern Gospel on Piano is finally back: Stepping On The Clouds!!

 

Click Here to download Midi File If you want to learn to play the song using the Midi file, I recommened using Midiano. It has a ton of customizing and control options to make learning songs easier.

This was a long time in the making. My memory isn't what it used to be, and the hands aren't as steady. After Covid my focus drifts and I wind up forgetting what I'm doing right in the middle of a song. Took 3 months of practicing before even trying to record it... and 3 days to finally get one good enough to keep! Hours the first two days. On the third day lightning struck and it only took two tries.

    This is a song Uncle Freil used to play as a special for Aunt Elsie Mae to sing. Not sure how many friends and family will remember this one. The only place I ever heard it was when we were going to Grace Baptist Church in Nahunta. I'd completely forgotten this song until a few months ago when some random playing one evening resulted in this song. Had to mull it over for a bit to remember the song title.

    Stepping On The Clouds was written by Linda Stalls. I didn't have much luck learning anything about her or her music until, sadly, disovering her obituary from May, 2021. In 1975 she was nominated for a Dove award for her song, Stepping On The Clouds. It's sad that this, so far, is the most I've been able to find out about her.

    It's easier to find information on The Hoppers, the first gospel family to sing the song. I found that on the blog, TheScottSpot. You can search the Hoppers on Youtube and find a lot of videos featuring them. I appreciate their style. Southern Gospel family groups comprise the majority of my favorite music. Mostly for the happy, toe-tapping gospel music, but catch me in the right mood you'll find me playing slow, soulful songs of yearning and hope.

    This is also something of a personal revival for me. Grace Notes was my blog for about ten years. Life in general got in the way, and I gave it up a couple of years ago. When I decided to recreate it, all my blog posts were lost. Still had all the Youtube videos, so as time passes I'll re-write posts for the songs. I've also been documenting the entire recreation process.

    All along it's been in my mind to record new songs, old favorites, especially ones that Uncle Freil used to play. This inspired a hunt through our two-floor shed, for any audiotapes, video, or CD's of Freil that may have been left in storage over the years. It's been a mostly successful search. Found a lot of his music I'd forgotten, things I haven't heard in decades. One specific video is still missing. Running out of places to look, but still hoping.

    And, in these last few months, I've been working on this arrangement. It's all by ear. Not very good at reading sheet music. It's been a struggle to build enough muscle memory to get through the whole song when my focus wavers. And it's been tough getting to the point where it was good enough to record. The result isn't perfect, but it's close and I'm very happy with it. (And very ready to move on to a new song...)

I truly hope you like it!

The Singing Chapmans: Something I Can Feel, & One Day I Will

    "Something I Can Feel" is the fourth song on side one of The Singing Chapmans "Redeemed By The Crucified One" album.  The song was written by Elmer Cole. For lyrics, click HERE.

    I've tried learning about Elmer Cole's life, and what else he wrote, but nearly every mention I can find is in reference to an article about someone else.  If you can point me to any website or article that has authoritative information, please leave the link in a comment.  It's hard to believe how little there is, when he's written songs like "I Found The Answer", I'm Looking for Jesus, and the fantastic "Ten Thousand Years." (This info, and a little bit more, were on the blog Southern Gospel Tidbits.)

    I found multiple mentions of him being with Willie Wynn and the Tennesseans, but again, his name was included, but no further information.  I'm not so familiar the most of the songs I can find for him, but have heard "Ten Thousand Years" all my life.  It was one of the songs Aunt Elsie Mae sang (and Uncle Freil played) as a special in church.

    "One Day I Will" is the fifth song on "Redeemed By The Crucified One."  It was composed by Walt Mills and John Stallings, or perhaps written by John Stallings, and performed by Walt Mills.  What little I could find seemed unclear, none of it from an authoritative source.  The lyrics can be found on Bluegrass Lyrics.com.

    Again, there's not much available other than their names being included/listed on a large number of websites.  Certainly no life stories, inspirations, or quotes.  There are some Youtube videos if you search, but again, nothing I'd consider a reliable source.  This is starting to look like a trend.  I'm not sure if it's more modern gospel, less-known gospel, or if the nature of online information has changed.  

    Over ten years ago, it seemed there was never a shortage of information about gospel composers and musicians.  This blog, "Grace Notes", is a recreation of a blog I kept from around 2012-2022.  Actual life got in the way, the site languished, and eventually I let it go.  This is a recreation of the spirit of that blog.  Years ago, there were Wikis, active forums, personal accounts, historical sites, all kinds of sources to help paint a picture of the songwriters that influenced my childhood.  Now, it's a desert.  Maybe I'm just not using the best search terms.  

    Whatever the case is, I'll leave you with these two songs for now.  For future posts, if I can't find enough information about the writers, or the song, I'll just give whatever brief details there are, and include multiple songs per blog.  No sense filling up all my pages with "I don't know, and can't find out."

It's been a busy week at work, to the point several friends from other offices are chipping in and helping to get the work done.  Tomorrow's Friday.  I'm off to see my parents on Saturday.  Something to look forward to.  I can't wait!

MuseScore: Midi Import Panel Project Delayed

    "Midi Sheet Music" no longer consistently reads my newest MIDI files.  I spent several days recently searching for a replacement.  The big find was Midiano.  It shows scrolling sheet music, a piano keyboard, and both parts highlight the active notes as the MIDI file is playing.  It does the job with a LOT of bells and whistles.  That solved most of the problem.

    MUSESCORE PRINTS SHEET MUSIC... ODDLY
    The missing element was the ability to print the sheet music as .pdf files that I can share.  Of everything I tried, MuseScore was the best, but the formatting was odd.  It had clef symbols sprinkled all over the pages.  I wasn't too thrilled with the dots over the notes either, but that was small stuff.   The profusion of treble and base clefs throughout the sheets confused and annoyed me.  Not that I read sheet music... 

    Actually, I can struggle through the notes, piece by piece, but the rest of it is beyond me.  In the mid-60's, I took 3 years of first-year lessons.  Yes, that means I took the same first-year instruction three times.  Every time Dad got a new assignment, or my instructors moved, the new piano teacher insisted I start over... "to learn HER way."  By the third year, I was fed up and quit taking lessons.  Now I play by ear.

WHY CAN'T I FIND THE MIDI IMPORT PANEL?

    Anyway, spent a lot of time yesterday trying to find a better alternative.  MuseScore had the cleanest output, best-looking pages.  It imports MIDI without the sustain pedal, which is a strike against, but as far as sheet music it was the best free software out there.  Some forum conversations mentioned a "Midi Import Panel".  It's supposed to appear at the bottom of the screen, every time you open a Midi file.

    Not true.  It NEVER showed up.  Searched the context menus, the preferences, all the options I could find, nothing.  So I googled Midi Import Panel.  Long story short... it's gone.  There's are a lot of sites, even Google-recommended question/answer lists, that give instructions how to access it, and how to use it.  But they all apply to the previous version of MuseScore, not the current version.

    There's a GITHUB MU4 Task, "Restore Midi Input Panel".  It was opened on June 7, 2022, and closed on Sep 1, 2022.  The end result was to push it forward to a future revision.  The task was deemed too complex, and it was agreed that the panel would be restored in a future 4.x version of MuseScore.  As of today, March 05 2023, the panel is still not restored.

    So:      MuseScore 4 does NOT have the Midi Import Panel. 

               MuseScore 3 DOES!!!

GET 3.6.2 TO ACCESS THE IMPORT PANEL
    Those options seem kind of critical.  It's hard to understand why they simple left it out.  On the other hand, it's a very complex program, provided completely free.  I can't really complain about free.

There was another forum discussion where several people opted not to update yet.  Someone mentioned using both.  I already had version 4 installed, and tried installing version 3.  It worked just fine.  As a matter of fact, the highest revision to 3 I could find was version 3.6.2, so the link above goes to the first site I found that offered it.  Let me say it again:  MuseScore 3.6.2 DOES have the Midi Import Panel.

    It did exactly what it was supposed to.  Now I'm ecstatic.  It automatically splits my piano track into a treble and bass clef, which I like.  And it no longer has the excess clefs all over the sheets.
    One minor thing, and this is my own fault.  I use a lot of keyboard real estate.  Hit the deep low notes, and often go 2 or 3 octaves up as well.  In the sheet music, there are a LOT of lines stacked up representing how far below Middle C to play.  That's okay with me.  I hope it doesn't bother anybody who tried to play my arrangements.  With my limited understanding of sheet music, this makes more sense than having the treble and bass clefs floating all over the place.

PLAY IT LIKE YOU FEEL IT!
    Last caveat:  Professional musicians have told me, and many websites I've read also state that MIDI to sheet music conversion is error prone, and inaccurate.  As far as I can tell, it shows the notes I play, the way I play them.  Anybody advanced enough to read the notation... and anybody who loves southern gospel playing... can figure out the rest.  You just play it like you feel it.

Midiano: Free Interactive Piano-App in your Browser!

     Yesterday I posted a little bit about the search for a "Midi Sheet Music" replacer.  Today, I want to go into more detail about the results of my search.  MuseScore 4, is my new favorite for printing out sheet music.  It's one narrow band of my search for a full-featured replacement.

    The real gem was in stumbling across midiano.com.  The homepage gives you two options; you can click "Start", and jump right into things, or click "About", and get an overview of the project in general.   This is the ONLY viable replacement for Midi Sheet Music (MSM).  There's nothing out there, at least not for free, that comes even close.  But where MSM is dated, hasn't been updated in years, and is no longer capable of loading all my MIDI files... Midiano goes the distance, and it does so with style.

To quote from the website:

• Midiano is an interactive Piano-learning app that runs on any device with a modern browser.
• Open any MIDI-File and Midiano shows you the notes as falling bars over a piano as well as the corresponding sheet music.
• Connect a MIDI-Keyboard to get instant feedback if you hit the correct notes.
• You can also use the keyboard as output device to play the MIDI-Files on your keyboard.

    It runs on any browser (and device) that supports the WebAudioAPI (Full support apart from Internet Explorer).

To connect a MIDI-Keyboard the browser also needs to support the WebMIDIAPI (Currently only Chrome and Edge).

    Midiano played my songs correctly.  More accurately, it played them the way I play them.  I'm not a trained pianist.  I'm a guy who plays by ear, is middling-good, and loves southern gospel style.  

    The song I play goes into Ableton in a single non-stop recording, while recording video at the same time.  If I mess up, I start over.  Once it's good enough, the audio and midi are output with no editing.  Then the audio is synchronized over the video, and the video's original audio is deleted.  The result is a nice video of me playing the song, minus the dogs barking, doorbells ringing, voices, neighborhood traffic...  

I'M A MIDIOT

    The MIDI file I create doesn't have a treble and base.  No separation for which hand plays which notes.  I don't read sheet music myself, and certainly can't write my own notation.  Midi Sheet Music used to be my go to for converting the midi files into notation that plays across the screen with the midi file.  Having found Midiano, I'll be using it from now on.  This is where it all comes together for people who want to learn to play my arrangements.  I record a video as the midi file is playing, slow once, then full speed.  It shows the notation, and the piano keys, as they play across the screen.  

    To make it more helpful, I include the midi files, plus a .pdf of the sheet music, on this blog.  All free.  

And all thanks to Midiano for making it possible again.  And for everybody who downloads my midi files, they can use Midiano to make learning the arrangements even easier.  You can easily slow down or speed up the playback. Pause, try a segment, back up and try again...  Midiano's far better than just watching a "how to" video, and I play to include a link to Midiano on every page that has a downloadable Midi file.

    Some day I'll see about using Adsense.  Maintaining this blog, a custom URL, and Google Office, costs about $12.95 a month.  If at some point my blog can become self-supporting, that would be the cat's pajamas.  Until then, at least it's affordable.  (You should have seen my BlueHost fees...)

I THOUGHT MY ORIGINAL SITE WAS GONE FOREVER

    Grace Notes, my original site, was online for over a decade.  I couldn't learn new songs fast enough to make it a profitable business, but occasionally someone treated me to a cup of coffee.  Sometimes even a banana split.  But the hosting fees were ridiculous, hundreds of dollars a year, for a site that never paid for itself.  So I gave it up.  We couldn't afford that kind of money just for fun.  

    

    Could have sworn I backed it up first, but mistakes were made...  and I thought it was gone forever.  Until recently when Monique found a mostly complete mirror of my site on "Wayback Machine."  Now I have access to many of the pages that were gone.

    I'm backing all the pages up that they saved.  Not everything was there, but a lot.  They saved nearly 100 pages of the original Grace Notes.  Now I've restarted Grace Notes in this new venue.  Writing new things, working on new music, but also plan to recreate every missing page I can.  Eventually all the midi files and sheet music will once again be available, for free download.

MIDIANO - ELEGANT, BRILLIANT, AND FREE

    Getting back to the point, there's a lot of 'step by step' processes needed to make this vision work.  Midiano is a HUGE step toward rebuilding my dream.  It's going to take years, but I see the path ahead now, and it's getting clearer ever day.

    To make it even better, it's available as a Progressive Web App!  I didn't know what that was, or how to set it up so I sent an email to the guy who wrote Midiano (He doesn't have his name on his website; for the sake of privacy, I won't use it here, either).  Within 24 hours, he sent a very nice email, with a link to instructions for my specific browser (I use Vivaldi).  And some general information to help me understand.  And an offer to help more, if that wasn't enough.  How neat is that?  

    

The instructions were beautifully simple.  Three easy steps and now I can work on Midiano any time, online or offline.  I'm immensely grateful!!

If you're looking for a learning tool that plays any MIDI file, creates sheet music notation, shows a piano keyboard, and shows them both in real-time, playing as the midi file is playing... you can't do any better than Midiano.  Go check out his site.  There's nothing to buy.  It's just a really cool utility, written by one of the nicest geniuses I've ever met.  :^)

Introducing The Chapman Family ... Singing The Gospel

     I made mention that Freil Thrift was in two record albums with the Chapman family.  The one Monique found on ebay, "Redeemed By The Crucified One"... I've been posting about for several days now.  It came with 12 songs, 6 to a side.  All of those have been digitized by now, and uploaded to Youtube.  

    The seller listed it as being in "Very Good Plus".  At first, I questioned that.  There was a long shallow smudge that seemed likely to cause playback problems.  It took a day or so to gather the necessary equipment (record player, cables and converters) and re-familiarize myself with Audacity.  Recording went perfectly.  That smudge had no effect on playback.  The songs digitized perfectly - audio levels great, no clicks worth worrying about.   It went smoothly and took about an hour.  I was thrilled with it.

    The other album wasn't anywhere online to be found.  I had resigned myself to a long patient wait, when my sister told me she had one.  She called it "the green cover", and told me the one I have is the second one, while the green one is the first record Freil was ever in.  She also allowed that I might be able to borrow it.  So long as I returned it, because "it's as important as my Elvis gospel album!"
    (If you know Karen, you'll know that is the highest level of praise.)

    We were originally planning on her bringing it to Mom and Dad's for me.  I was already planning to visit this weekend.  At some point she realized she couldn't make it to the river (home is very close to the Satilla), so offered to meet up in Nahunta on my way home.  I spent yesterday "at the river."  On the way home, Karen and I met at the Gold House.  It's Nahunta's historic diner, a wonderful place to go.  Both for the memories, and the food.  They make wonderful southern food.  I love their fried chicken.  They also make about the best liver around.  And a great, thick burger and home-style fries.

    This time around, we just had coffee, and sat and talked for a bit.  Got home too tired to start digitizing the record right away.  Got up early this morning, pulled the record out.  Remember a few paragraphs ago, when I mentioned the "Very Good Plus" rating on the other album?  How I questioned it, because of the almost-scratch?  I take it back.  It deserves that rating.  When I looked at Karen's record, the rating would have been "Very Loved Plus."  This is what happens to an album when it's a family favorite, and gets played over and over... for about 50 years.

    As expected, playback wasn't perfect.  It was surprisingly good, though.  Only one spot completely skipped a word.  And that was near the end of a song, so not as high-impact as it could have been.  However.  I like that word.  It's dramatic, with a strong foreshadowing of bad news.  
    However, the album was full of clicks, and the volume was a lot lower than the other record.  To be fair, that's probably due to the way the album was created.  Audacity has a very versatile click remover.  And for the most part, it did a great job.  One or two spots I used custom settings, but most of the time default settings were fine.  Audacity also has a pretty cool amplify effect.  It calculates the highest safe level to raise volume to 0 db.  

    Click removal and the amplify effect fixed everything that could be fixed.  Did a bit of manual cutting and silence generation at the start and end of the songs.  Overall it went very well, but wound up taking three hours to get the best versions of all the songs.

    Best of all, it ended (literally) on a great note - the final song on side 2 was an instrumental, and Freil got a couple of excellent segments featuring his piano playing.  I'm thrilled at how well everything turned out.  It's going to take some time to get them turned into video clips so they can be uploaded to YouTube.  But it'll be absolutely worth it.  All those songs will be permanently available at any time, without having to add more wear to our treasured records.  And so many people who don't know the Singing Chapmans, and Freil's playing, will be able to hear and appreciate them.

The Singing Chapmans Redeemed: When I Wake Up

 

    When I Wake Up To Sleep No More is the 3rd song on Side One of The Singing Chapmans "Redeemed By The Crucified One" album.  I'm not sure how they handled copyrights back in the 60's and early 70's.  The album doesn't mention copyrights, or have author credits.  Years later, my uncle Freil mentioned that he had to pay an amazing amount to record certain songs, so I'm working on the premise that they had to obtain permissions, but not necessarily print it as such on the cover.

    For what it's worth, the song is written by Marion W. Easterling, and copyrighted in 1944.  Easterling was a pretty prolific writer, composing over 300 southern gospel songs.  One of his mentors, Dad Speer, is sometimes credited with writing at least one of the songs on this album (He's Mine and I'm His).  Easterling also has the distinction of a Guiness Book of World Records listing, for his 39 years of programming the gospel radio show, "America's Favorites."  You can find a bit more about him, and his music, at Hymnary.org.  

    I had hoped to post this yesterday, in keeping with trying to post once a day until all the songs from the Chapmans record albums have been acknowledged.  The plan was to write it after spending the day with my parents (and great-nieces).  It's a one-hour drive each way, and driving is not something I'm comfortable with.  By the time I got back, my mind and body were both worn out... wound up giving up early, reading a bit, then calling it a night.  

    Monique and I usually sit outside for a while, by the front door.  We gather up the dogs, sit in our rocking chairs, and talk about our day.  It's a good time to share our thoughts, and the dogs love it.  We Piper and Luna have 15-foot leashes, so they can freely wander the yard, or just sit in our laps.  They smell the night air, watch as the occasional car or person goes by.  If they're lucky, sometimes one of the neighborhood cats saunter by.  A good time is had by all.  :^)

    We both had pretty big days.  Monique made a batch of Macarons for an event a friend is attending.  She rarely makes them, but this is her second time recently.  I believe she plans on making them at least one more time, with a friend.  And I told her all about my day with family, what everybody did and said.  Sometimes we'll sit quietly for a while.  We didn't stay outside long.  It was a lot colder than we expected.  

Childhood Memories - The Singing Chapmans

     A few days ago, I was reminiscing with Monique about my uncle Freil's piano playing, and talked about the two record albums he made as part of a southern gospel music family group called "The Singing Chapmans".  Monique, of course, searched on eBay, found one of the albums, and ordered it for me.  It arrived yesterday, and I've been on pins and needles since then, wanting to hear it, and more, to share their songs so everybody else can enjoy the music too.

    Opened the package, took pictures, but got stuck trying to figure out how I was going to play it; and even more importantly, get the music digitized.  We had a couple of record players around the house, and one was a self-contained unit that would have been perfect if I just wanted to listen.  But Monique and I both remembered having a record player years ago that was perfect, with RCA audio outputs hardwired into the case.  Couldn't find it.  Gave up for the night.

Next day, I'm home from work, to see the old record player at my computer.  Monique had found it.  Actually, she found it exactly where we tried to look last night, but she went back and dug deeper.  I've seen old players quit working because they were band driven, and after years, the band can get old, brittle, not play right or outright break.  It was a worry in the back of my mind, but as it turned out the player was just fine.

    There was a bit of technical trouble getting all the working parts to work together.  First, my current computer doesn't have RCA input jacks.  All it's got is microphone in.  There are a number of ways around that, but I chose a bit of a hack.  Out in the shed, in my old audio/video cables box (from the days I did video production), was a "mic in/stereo in" connector.  The same box also had a 1/8" male to male stereo audio cable.  Lucky day!  Like a Rube Goldberg drawing... phono player to RCA out to converter to 1/8" to mic input on the computer.  :^)

    Still not ready.  The record played, I could hear it through the computer speakers (headphones, actually).  But the volume was so low, it was almost more imagination and wishful thinking than reality.  Google to the rescue - it suggested I see what the volume is in the SOUNDS controller.  When I checked, the volume was already maxed, but...  there was a "Microphone Boost" slider that offered up to 30db more volume.  

    Since the audio was so quiet, I slid that thing straight up to +30db and started the record back up.  It nearly broke my eardrums.
I yelled and jumped about half a foot straight into the air, scaring Monique at the same time.  After REDUCING the volume a bit... it was perfect!  And with that, suddenly Audacity was up and running, the audio check worked, audio levels set perfectly.  Roughly an hour later, the entire album is saved to my computer, one song at a time!!

Plus, I got to listen to music I haven't heard in 40 or 50 years.  Smiling the entire time.  It was like regaining a treasure I'd thought long lost.  Good memories of good times, music I never thought to hear again.

Next, I'll put the songs together with an image of the record album, and upload the videos to Youtube.  It may take a few days, but when I post again, there'll be something special for you to listen to.